Sunday, May 31, 2020

Jurying The SAA 2020 Members' Exhibition

     Well, it seems this year is bringing many changes in all aspects of life for many of us, including the Society of Animal Artists that has shifted to doing all our juries online. When the SAA started out, they used to jury their exhibitions from the actual works ... imagine having to do that now! Then they transitioned to jurying from works submitted via slides. Many of us, including me, remember submitting our works to numerous shows this way and having to tape the slides with a special heat resistant silver-tape, in order to block off areas showing around the actual artwork. It was a time-consuming process and your slides became cherished possessions. You always included a self-addressed, stamped envelope to be sure to have them returned to you after the jury process. 

Fast forward a couple of decades and now artists can easily submit online via the magical internet! Although the submission process was the same this year, the actual jurying process had to be changed due to the travel limitations associated with the COVID 19 virus, so instead of jurying in person whilst sitting in the comfort of SAA President ReneƩ Bemis' home theatre, the panel of 9 jurors juried the artworks on their own computer screens at home. Like years past, artist's names were removed from the works, and they were uploaded in random order to two dropbox folders, one for small works under 8 inches, and the other with all other regular-sized works.

The SAA 57th Annual Exhibition at the Hiram Blauvelt

The process actually worked very well, and the jurors were pleased with being able to take a little more time to look more closely at the works, instead of having to make almost a split-second choice, like has been done in the past when jurying in person. The show looks fabulous, so it's further proof that this method worked very well. On that note, the Board has also been having meetings with the online service, Zoom, which is working very well. So like I say, when life hands you lemons, you make lemonade, and that's exactly what this amazing organization is doing to make the necessary changes to keep moving forward.

The SAA 57th Annual Exhibition Awards Banquet at the Hiram Blauvelt

The 2020 SAA Members Exhibition will hopefully take place at the Hiram Blauvelt Art Museum August 29th thru November 1st. The show can be seen online via the SAA Website.

SAA artist Jim Coe demonstrates outside the museum

Until next time ~ Rachelle Siegrist for the SAA

Friday, May 1, 2020

Six SAA Artists Active for Six Decades

     This month I'm featuring SAA members from the first decade of the Society who are still active members today. The Society has seen a lot of change over the past 60 years, and it's been interesting to take a look back in time while reading about the history and hearing stories from our longstanding members, who are truly gems! So without further ado, here are some wonderful stories and insights from these very special SAA members.

~  Doug Allen  ~
Doug standing with his painting"Power Of One"
For Doug Allen, a favorite memory with the SAA was attending his first SAA meeting while being surrounded by the likes of Paul Bransom, John Clymer, Bob Lougheed, Bob Kuhn, Francis Lee Jaques, Louis Paul Jonas, and others. He remembers when artists had to submit their original artworks for the jury process. 

"Breaking Trail" by Doug Allen

A word of advice Doug would share with our newer SAA members, would be an adage from artist Paul Bransom  “If you can’t experience studying animals in the wild then go to your local zoo and draw, draw, draw.” Out of all the pieces Doug has exhibited with the SAA, his favorite piece was a painting done in 1985 of a bison entitled “Early Winter”. When asked what’s the biggest change he's seen in the art world since becoming an SAA member, he answered simply with, “It’s a puzzlement”.

~  Guy Coheleach  ~

     A favorite memory for Guy Coheleach with the SAA was how they used to make their chain-smoking president, Joe Vance, go out on the roof of the 6th floor to smoke his cigarettes, which was just outside where the rest of them held their monthly meetings at the Salmagundi Club. Sometimes after a particularly long meeting, they would have dinner at the Giraffe Restaurant located in mid-town. These Board members constantly showed up month after month, year after year in the sixties and seventies through all kinds of weather topped with New York commuting and traffic conditions. This was during a time when a handful of dedicated people kept a very fragile SAA from disappearing. Another fond memory for Guy associated with fellow SAA members was a fun incident that took place in the middle of the African bush when some rangers came walking up with a few books for Bob Kuhn and Guy to sign, and one of them had an SAA catalog!

"Snowy Owl Chase" by Guy Coheleach

Although it’s not his favorite piece, Guy's very fond of  “Siberian Chase”, an impressionistic painting of a tiger running in the snow. This painting finally freed him commercially from all of the meticulous detail he thought so necessary in years prior. Since becoming an SAA member, the biggest change Guy has seen in the art world is that too many works now look like photographs. His word of advice to our newer SAA members would be "I think if a person loves what they do and are not afraid of hard work they have to succeed.” 

"Snowy Egrets" by Guy Coheleach

~  Albert Earl Gilbert  ~

     SAA member Albert Earl Gilbert was elected as First Vice President shortly after becoming an SAA member and recalls what a great experience it was meeting Paul Bransom, Doug Allen, Pat Bott, John Clymer, and so many great artists at the Salmagundi Club in New York City, during which time he made numerous lifelong friendships. In 1974, Paul Bransom asked Albert to stay after an SAA meeting, where he told him, “Gil, try not to live into your 80s and outlive all your friends as I have now doneAnd another thing, don’t ever get shingles, which I have now, but I’m hoping to recover from. Meanwhile, I want you to become Acting President of the SAA and take charge of all meetings until I can return.”  Albert had no ambition to do that; however, when Paul chose him, he gladly agreed.  Albert did this for several years, and Paul gradually recovered. Given his health, Paul couldn't remain as President though, so he nominated Albert to become the SAA President, which he was from 1977 to 1984. 

"Cheetahs At Waterhole" by Albert Earl Gilbert

During Albert's presidency, the SAA established the first Annual Exhibition and Convention in March 1979 at the Explorer’s Club. Explorer Club member, Guy Coheleach, arranged for the speakers to give their presentations at this famous venue. Those who spoke were Roger Tory Peterson, Robert Bateman, Guy Coheleach, and Dick LeMaster. All SAA Annual Exhibitions were held at major venues such as the Philadelphia Academy of Natural Sciences, the Cleveland Museum of Natural History, and the Blauvelt Museum of Art. He goes on to say how Guy Coheleach did so much work behind the scenes to promote the success of the SAA, and that many, many others also gave of their time and energy. Albert says that it’s hard to believe there were over 150 artists back then while recalling so many good memories, being glad he was there to participate.

"Egrets In Cypress" by Albert Earl Gilbert

~  George L. Schelling  ~

     SAA member George Schelling’s favorite times with the SAA were spent at the meetings and show openings. He knew many of the members back in the 60s and recalls what great times they all had to talk about art.  He’s sure he would enjoy the same wonderful camaraderie today, but traveling is harder now that he’s older. George loves that in this digital age with the internet allowing everything to be online, he can enjoy “visiting” museums that he’d never get to see in person.

"Sharks" by George Schelling

~  Nancy Halliday  ~

"Moonlight Snack" by Nancy Halliday

     SAA member Nancy Halliday’s favorite memory is her first attendance at an SAA exhibition as a new member in 1969. It was exciting as a young person to go to New York and meet many of the artists whose work she had admired. For Nancy,  in the world of illustration, the changes have been monumental--all her colleagues now have switched to digital applications, some exclusively. She is the last of the "old guard" still using traditional media. She notes recent in science, one major advance has been the discovery of so many new species of dinosaurs and, more important to illustrators, of the way they moved and the environment they lived in. The SAA is especially indebted to Nancy for recently sending our office a treasure trove of historical documents pertaining to the Society.

     John was unable to respond to my questions, so I am featuring one of his paintings featured in a past SAA Annual Exhibition. 

~  John A. Ruthven  ~

"Elegant Hawk Eagle" by John A. Ruthven
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Until next time ~ Rachelle Siegrist for the SAA